![]() ![]() She's plagued by PTSD flashbacks of what she did in order to win, and her clear contempt of the status quo, and especially its insistence that she maintain the carefully constructed public façade of her devotion to her fellow surviving tribute Peeta (Josh Hutcherson), is catching. Now returned to live in closely monitored celebrity comfort in a posh new home, Katniss is nevertheless as restless as a caged panther. Indeed, by the time Katniss is again released in the Arena, as a result of circumstances generated by her own dangerous status as symbol of hope, she will face cruelly customized tests and terror that will make the first round seem about as deadly as minor-league dodgeball. Opening a year after the events of the first instalment – and on the eve of the 75th-annual Hunger Games – in which the lethally resourceful Katniss Everdeen (Jennifer Lawrence) survived the made-for-mass-media survivalist ordeal staged by the authoritarian regime of Panem as a means of keeping a brutally oppressed populace both cowed and entertained, Catching Fire establishes from the outset that the first games, at least compared to what's to come, were mere warm-up exercises. Brought to the screen by the Austrian-born Francis Lawrence, whose previous credits include I Am Legend and Constantine, and who is currently shooting the trilogy-capping two-parter Mockingjay, the second instalment in the saga also marks the arrival of a filmmaker we'll be watching closely in the future. The result is not only a dramatic improvement over what was already an unusually smart and satisfying pop-cultural parable (based on Suzanne Collins's best-selling novels) of insurgent 99-per-cent rebellion, but a very likely candidate for the all-time-great-sequel sweepstakes. ![]() Deepening and darkening the implications established in The Hunger Games a year ago, The Hunger Games: Catching Fire takes the narrative and thematic liberties traditionally granted the middle chapter in a trilogy and drives the stakes up sharply. ![]()
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